Catalog: Fine Art: Paintings: Miniatures (328)

Painted by Samuel Shelley, this is a beautifully limned portrait miniature of a British officer. The epaulette being on the left shoulder, instead of on the more usual right, indicates that the sitter was in a cavalry regiment of the British army. That, taken with other characteristics of the uniform show him to be with the heavy dragoons...

Confidently attributed to Edward Savage, this miniature portrait is painted on organic material. The sitter, who has a strong countenance and blue eyes, is wearing a deep blue coat with gold buttons, a white vest and shirt, and a white cravat.

The painting is in excellent condition, with no flaws, and is housed in a gilt copper case, the reverse of which has a glazed aperture containing woven plaits of hair...

A fine painting of a youth, signed and dated "P. Jean 1789" on the right side. The sitter is dressed in a red jacket with a white ruff. The reverse of the gold case has interwoven plaits of hair under glass.

There are no condition issues with the painting or the case. The discoloration along the top of the painting is light reflection. The size is 2" by 1 1/2".

BIOGRAPHICAL NOTE: Philippe Jean (1755-1802)was born in Saint Ouen, Jersey, the son of Nicholas Jean and Marie Grandin...

A fine miniature of a handsome gent with strawberry blond hair, painted by Henry Jacob Burch. Adding to the desirability of this example is the Burch trade card that was fitted to the back of the painting, rarely seen in his works.

Excellent condition, with an overall size of 2 3/4" by 2 1/4".

BIOGRAPHICAL NOTE: Henry Jacob Burch was born in London in 1763. He entered the Royal Academy Schools at the age of 16, and exhibited at the Royal Academy from 1787 to 1834...

A nice miniature painting done, in watercolor on natural material, by Ebenezer Mack. The sitter is dressed in a black jacket, and a white vest, shirt, and stock. Housed in its original gold case.

Although all of Mack's works are quite naïvely rendered, this example is even more primitive than most, indicating that it was done quite early in his career, probably in the 1785 time frame. His works are very rare, and he did not sign his paintings...

A superb miniature portrait, done en grisaille on organic substrate, by Samuel Andrews. The sitter is an attractive woman with an elaborate wig and hair style, and wearing a cap and gold earrings. The painting is wonderfully executed, and with such skill that there is a three dimensional effect. The photos do not at all due it justice.

The painting is beautifully presented, surrounded by a gilt metal bezel, outside of which is a plait of hair, the whole in a red leather travel case...

A beautiful Samuel Cotes miniature painted in watercolor on organic wafer. The sitter was an officer in the First Royal Dragoons, first raised in 1661, making it one of the oldest cavalry regiments in British Army history. It served in many campaigns until 1969, when it was merged into The Blues and Royals.

The portrait is in a gold case which has been mounted on a 10K gold Victorian bracelet. The bracelet comes with its original blue silk lined leather case...

A well painted miniature portrait done by Charles Robertson. The subject is a bewigged blue-eyed gentleman of striking visage, posed in a blue and gold jacket. The miniature is presented in a silver case with silver scrollwork. The reverse of the case has the impressed mark "L.V".

The condition of the painting and the case is excellent...

A wonderfully painted miniature portrait, on natural organic material, of a young gentleman in a brown coat. The miniature is housed in its original gold bezel and brooch, with an elaborate monogram in gold on the reverse. The overall size is 2" by 1 5/8", and the painting and case are in excellent condition, with no problems...

A beautifully rendered miniature painting, on natural organic material, by John Barry. The sitter is an attractive and stately woman with the mass-like appearance of her hair that is one of the characteristics of Barry's work. The casework is as fine as the painting, with the miniature set in a gold bezel, and the reverse with foil backed blue glass surrounding a display of tightly woven hair.

Both the painting and the case are in excellent condition, with no losses or restoration...

A wonderful miniature portrait, on natural material, painted and signed lower left, by Peter Lens. The sitter, a young woman in a yellow gown and white fichu, is shown against a startling blue background.

The condition of the miniature is excellent with no problems or flaws. The white area at the lower edge is light reflection. The size of the pendant gilt metal case is 1 7/8" by 1 1/2".

BIOGRAPHICAL NOTE: Peter Paul Lens (1714? - 1750?) was apprenticed in 1729 to his father, Bernard Lens...

A superb enamel on copper portrait miniature by Jean Andre Rouquet. The sitter, dressed in an embroidered red jacket, ia a royal personage, evidenced by the ermine trimmed robe or cloak on his lap.

The condition of the miniature is excellent, with bright colors, no cracks, and no restoration. The duller areas along the edges are due to the way the light reflects off the curved edges. The early 19th century ormolu frame also is in fine condition. Sight size of the painting is 2 1/4" by 1 7/8", ...

A historically important Christian Friedrich Zincke portrait miniature of Edward Walpole. The painting, done in enamel on copper, depicts Walpole in a powdered wig, and wearing a blue velvet jacket with a white shirt and lace jabot. As to be expected from Zincke, the painting is superbly done. It also displays some of the classic hallmarks of Zincke's works - the lips being painted different colors, the eyes rimmed with black daubs to represent eyelashes, and the sitter in a blue or brown velvet...

A beautiful watercolor on organic material attributed to the hand of William Grimaldi. The subject of this work of art is an older gentleman wearing a blue coat, yellow vest, and ruffled stock, and shown against a beclouded sky background. Housed in a gold filled case.

The condition of the miniature and its case is excellent, with no problems. The overall size is 3" by 2 3/8".

BIOGRAPHICAL NOTE: William Grimaldi (1751 - 1830) was born in England and was the son of Alexander Grimaldi and...

A striking miniature portrait, done in watercolor on natural material, by George Place. The subject, set against a clouded and blue background, is a handsome gray haired officer of light dragoons, dressed in uniform.

The miniature is in superb condition, with no cracks, chips, warping, paint loss, or restoration. The case is also in excellent condition, with a fully glazed back over fabric. On the back glass, at the edge at 10:30 there is a small chip in the underside. The case size is 3" by...

A fine miniature portrait painted on natural wafer by Alexander Gallaway. The sitter is a distinguished gentleman with a white wig, and attired in a tan jacket, cream vest, and white shirt. Framed in a 15 karat gold case with half moon and dot work on the border of the reverse side.

The condition of the case and painting is excellent, with no flaws. (The white area at the right of the painting is due to light reflection in the photo.) The case size is 1 1/2" by 1 1/4".

BIOGRAPHICAL NOTE: ...

A nicely executed watercolor, on natural material, of a gent in a black coat with white stock and ruffled shirt. Presented in the original gilt metal case with hair work under glazing on the reverse.

The overall condition is fine, with some tiny dust motes under the glass. The white areas circling the top half are reflections from the chamfered cover glass. Overall frame size is 2 1/4" by 2".

A strong enamel on copper painting by William Prewett, depicting James Thomson. Thompson (1700 - 1748) was a Scottish poet and playwright, best known now for writing the lyrics to "Rule Britannia". The case is original, but engraved as follows several years after the death of the sitter: James Thomson/Poet/1700 - 1748.

The condition of the painting and the case is excellent. Overall size is 1 7/8" by 1 5/8".

BIOGRAPHICAL NOTE: According to Foskett: "William Prewett (or Prewitt) (fl. 1735 - ...

A superb enamel on copper miniature portrait by Jean Andre Rouquet. The sitter, wearing a powdered wig and a blue velvet jacket and waistcoat, displays a fine English gravitas.

The miniature is presented under glass in a high karat (15K or higher) gold case, the reverse of which is engraved with a half flowerhead above what appears to be the initials BEE. Below this is an engraved bee.

The condition of the miniature is excellent, with bright colors, no paint loss or cracks, and no restorat...

A watercolor on natural material done by Nathaniel Plimer. The sitter is a somewhat older woman, with a pensive and somewhat sad mien about her. Set against a background with gradations of blue, she is simply dressed in a white gown and bonnet, accented with a pendant medallion on a black ribbon, and a gray belt.

The painting and the original bronze frame are in excellent condition with no flaws or restoration. Sight size of the miniature is 2 3/4" by 2 1/4", with an overall size of 3 3/4" by ...

This fine work, done in watercolor and bodycolor on organic material, was most probably done in Naples. The sitter is an attractive child looking directly at the viewer and holding a jumping jack toy of Pulcinella, a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. The reverse of the portrait is also quite special, with its plaited hair, ivory plaque, golden hair work initials, metallic threads, and pearls.

The ...

A finely painted miniature portrait, done in watercolor on organic substrate, by Pierre Henri. Done against a blue background, the sitter, a nice looking young gent with blue eyes and hair en queue, is wearing a brown coat with yellow lining.

The painting is in excellent condition, with no bowing, cracks, paint loss, or restoration. Set in a frame with a glazed blue material reverse. The sight size is 1 3/4" by 1 1/4".

Pierre Henri (c 1760 - 1822) was born in Paris and often went by the...

A fine miniature portrait on natural wafer, done en grisaille in watercolor and ink against a blue background. The sitter, an older woman wearing a lace cap and fichu, is beautifully limned in profile, an uncommon approach. Housed in a gold plated metal frame with fabric on the reverse.

There are no condition problems with the painting, which measures 2 1/2" in diameter.

PROVENANCE: The well-known Dr. Leo Catzenstein Collection, and thence to his descendants.

A nicely painted and early miniature portrait of a man done in watercolor on natural organic material. The blue-eyed sitter is a nice-looking gentleman fashionably attired in a full, long wig, a blue loose fitting robe, and white ruffled shirt.

One of the interesting things about this piece is that the original gold case is of a type known as a "slide case". The top protuberance is attached to a small sheet of metal (in this case gold), and when a little knob is pushed, the sheet can slide com...

A superb pair of miniature portrait paintings done by Joseph Dunkerley. Labels on the reverse of each case identify the sitters as Joseph Packwood and Denise Wright Packwood, and are dated 1780.

Mrs. Packwood is wearing a large white hat with a blue ribbon and accents, a light blue gown with flowers embroidered on it and with dark lace edging at the bodice. Her husband is wearing a blue jacket and waistcoat, and a white cravat.

Excellent and scarce examples, and in fine condition. The gold...

A charming and unusual Continental portrait miniature, painted in watercolors on natural wafer. Except for a very small number of miniaturists, and occasional examples by other miniaturists, the full profile format is quite rare. In this example the sitter is wearing a blue dress, gold earring, and a pearl necklace. Of obvious impression on the viewer is a very large white head covering, with yellow decoration, of a type that cannot quite be called a bonnet or hat.

The painting is presente...

A fine miniature portrait, attributed to J.V. Sturgeon, of a gent posed in front of a green curtain with blue skies visible through the window. This type of setting is uncommon in American minis, but has been done by Sturgeon in some of his works.

The miniature is set in the original gilded copper pendant with a glazed aperture on the reverse containing plaited dark hair. Excellent condition with no issues to speak of. The sight size is 2 1/2" by 2", with an overall size of 2 5/8" by 2 1/8".

A wonderful miniature by Daniel Dickinson of a handsome gentleman. The sitter is dressed in the height of fashion for the time, wearing a blue jacket with velvet lapels. Note the broadness of the brush strokes and chiseled modeling of the face, both characteristics of Daniel's style, contrasting with his brother Anson's work.

The frame deserves special mention, being gilt silver with a 14K gold back and central plaque with "AM" initials. It is quite thick and weighs about 3 1/2 ounces. The...

A beautifully limned miniature portrait painting by Elkanah Tisdale. The sitter, though unknown, is a handsome young man dressed in a black coat. The painting measures 3" by 2", and is in superb condition, with no chips, cracks, bowing, paint loss, or restoration. It is housed in a later metal case.

Few miniatures by Tisdale are known to exist, and with very rare exception, are, as is the case here, unsigned.

Tisdale was born in CT around 1771, then moved to and worked in NYC from 1794 to ...

A portrait miniature done by Moses B. Russell and I wish I could say more about this painting or the sitter, but the original backing paper, where Russell signed and often threatened people (incorrectly) not to remove the paper, has been removed. However, the painting was clearly done by Russell and closely mirrors one in the Metropolitan Museum. Excellent condition (any apparent problems in the photo are due to reflections) and presented in a 2 3/4" by 2 1/4" gilt metal case with a lock of hair...

An interesting pair of miniature portraits, painted on organic wafer. Framed in a slightly different manner, there is no question these were done by the same artist at the same time.

Fairchild is an obscure artist, with very few, if any, signed works. This attribution is based on the similarity in technique to an example in a book by Bolton, and information that the pair came from a couple living in CT who are purportedly descendants of the artist.

No condition issues to speak of, with...

A finely done miniature portrait painting by Joseph Wood. Although unsigned, there is no question that this fine rendering of a young woman was done by Wood.

Sight size of this nice example is 2 1/4" by 1 13/16", and the period case is 2 1/2" by 2 1/16". The condition of the painting is excellent, with vibrant coloring, and no chips, cracks, or restoration. The period case (and glass) is in excellent condition, but it is missing the back, a replacement for which which can be made.

Joseph...

A fine portrait on natural material of a gentleman in an early 19th century officer's uniform. Within the locket is the remnant of the backing paper of the miniature, which was incorrectly and poorly removed. A portion of the name "Miller" can be seen. Prior to this removal, a previous owner had written down on a piece of paper what had been on the backing paper. This is shown in the third photo and gives a portion of the sitter's name as John L. Sc?h???, the name of the artist (Miller) and the ...

A strong watercolor portrait, on natural material, of Mrs. James Pattenden (nee Weston) in a white dress with lace collar, gold necklace, hoop earrings, a brooch at the bodice, and a pearl comb in her upswept hair. Signed and dated 1817 on the reverse, and housed in a gold locket.

The condition of this work is excellent, with no issues at all. The newer locket is also without flaws. The case size is 3 1/8" by 2 1/2".

NOTES: 1. James Pattenden married Jane Weston on February 16, 1819 at B...

A very finely drawn miniature of an extremely handsome man, done en grisaille on organic material by H.M.S. Stuart.

The sitter is Sir Dugald Stuart, 2nd Baronet of Ardmaleish and Bute and the painting is signed, dated and inscribed on the reverse: "From a drawing on/Vellum of Sir Dugald/Stuart, father of the first Earl of Bute;/in the possession of/the Marquess of Bute/at Mount Stuart/by H M. S. Stuart/Decbr 1841".

Presented in a rectangular ebonized frame, both the painting and ...

A rare c1835 American miniature by Mrs. Samuel Richardson (1790 - 1852), nee Schetky. It took quite a while, using various lighting settings and filters, to finally discern the almost illegible S (?) Richardson signature along the extreme right. That led me to one of the very few examples of her miniatures, one of which is in the Nelson-Atkins Museum of Art (Kansas City, MO), which confirmed my interpretation. The painting and the cast foliate case which measures 2 1/8" by 1 3/4" are in excellen...