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The condition of the painting is excellent, with no issues...
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The condition of this work is excellent, with no issues at all. The newer locket is also without flaws. The case size is 3 1/8" by 2 1/2".
NOTES: 1...
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Fairchild is an obscure artist, with very few, if any, signed works. This attribution is based on the similarity in technique to an example in a book by Bolton, and information that the pair came from a couple living in CT who are purportedly descendants of the artist...
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Condition is excellent with no paint loss, tears, folds, foxing, or restoration. The piece is 2 3/4 inches by 2 3/8 inches.
NOTE: Gillespie was active on the East Coast of North America, Baltimore, New York, and Philadelphia around the 1829-1838 time period...
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Both the painting and the frame are in excellent condition, with no issues. The painting is 1 3/4" in diameter, and the frame is 2 7/8".
Biographical Note: William Egley (1798–1870), was born in Doncaster, England, and moved shortly after to Nottingham...
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The sight size is 4 5/8" by 4" and the framed size is 7 1/4" by 6 5/8". The condition is excellent with no issues or flaws...
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Condition is excellent, with strong colors and no cracks, chips, paint loss, bowing, or restoration. The wood frame is also in excellent condition. Sight size is 3 1/2" by 2 7/8", wit...
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Beth is wearing a...
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The painting here is in overall excellent condition, with no chips, cracks, or bowing...
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The condition of the miniatures is excellent, with no issues to speak of. Each is under glass, with card backing, gilt metal matting, and gilt foil edging. They are presented in a A.P. Critchlow & Co. case which still retains its original label and is also in excellent condition. Sight size of the paintings is 2...
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Fuller did sign a number of his miniatures, but apparently always on the back. Since this example is presented in its never opened original frame, it is possible that it is a signed piece. Regardless, because of the technique and composition, there is no question that this was done ...
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The size of the work is large and quite unusual for an American piece on natural material, h...
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The condition of this rare gem is excellent, with no cracks, chips, paint loss, or bowing. Except for a discolored area in the top right, the frame is also in ...
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The frame is original, and bears the label of F.A. Wenderoth of Phila. Since Wenderot...
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Sight size of this nice example is 2 1/4" by 1 13/16", and the period case is 2 1/2" by 2 1/16". The condition of the painting is excellent, with vibrant coloring, and no chips, cracks, or restoration. The period case (and glass) is in excellent condition, but it is missing the back, a replacement for which which can be made.
Joseph...
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The miniature is signed "P. Unger. px. 1839" along the lower left. The bac...
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Adding to the importance of this piece is the velvet lined gutta percha case, which h...
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Housed in a cast foli...
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The condition of the painting is excellent, with no chips, cracks, paint loss, bowing, or restoration. The sight size ...
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The painting is in excellent condition, with no flaws, and is housed in its original silver case, which measures 1 7/8" by 1 5/8".
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BIOGRAPHICAL NOTE: John Henry Brown (1818-1891), b...
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The painting is signed and dated on the reverse backing papers, and is housed in a brooch. The sight size is 1 5/16" by 1 1/8", and the brooch size is 1 3/4" by 1 1/2". Condition is excellent, with no chips, cracks, bowing or restoration. The brooch is missing its...
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The artistry shown in this piece is of the highest quality, and the feel and techniques indicate that it was done by James Tooley. Further, on the back of the painting, under the protective paper backing, was a trade label for Kaussler & Smith, a 19th c Philadelphia maker of ...
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The painting and the case are in excellent condition with no issues. Overall size of 2 3/8" by 2".
BIOGRAPHICAL NOTE: Christopher (or...
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The sight size is 4" by 3", and the framed size is 6 1/2" by 5 1/2". Condition is excellent, with no cracks, chips, paint loss, bowing, or restoration. The slight disturbance along the botto...
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BIOGRAPHICAL NOTE : Thomas Rathbone Manley (1853 - 1938), later referred to as "The Dean of the Montclair (NJ) Artists". Originally studying law, he realized his love was painting and enr...