Catalog (971)

A beautiful and very early 18th century bizarre silk fragment, from a chausable of the period. Vegetal and flower motifs in polychrome silk, silver and gold thread on a salmon ground, the entire piece mounted on cotton. Excellent overall condition, with some expected oxidation of the metallic threads. The panel itself is 28" in length, and 9 3/4" at its widest. The mounted size is 30 1/4" by 11 1/4".

Note: Bizarre silks are a style of figured silk fabrics popular in Europe in the late 17th a...

A very nice English Georgian wine glass with a round funnel bowl, the lower half being molded with flutes. The stem is of the double series opaque twist type (DSOT) and is comprised of a pair of multi-ply corkscrews outside of a pair of spiral threads. Conical foot with a snapped pontil.

Excellent condition with no chips, cracks, or repairs. Good color, striations, and tool marks. Normal and expected wear to foot. The height is 5 5/8", with a bowl diameter of 2" and a foot diameter of 2 7/1...

An uncommon English firing dram glass with an ogee bowl, c 1765, made of lead metal. The stem is of the double series opaque twist type (DSOT) and is comprised of a pair of 6-ply spiral bands outside of a pair of spiral tapes. The terraced foot is highly desirable and sought after by collectors. Snapped pontil.

The height is 3 13/16", with a bowl diameter of 2" and a foot diameter of 2 5/8".

Note: Because of the extreme closeups of the photos, and the non-ideal lighting conditions,...

A fine watercolor folksy miniature portrait painting. The sitter is a nice looking young gentleman dressed in a black coat, patterned white vest, white shirt with stud, and a black stock tie. Housed in its original red leather travel case.

Excellent condition, with no cracks, bowing, or other problems. The sight size is 2 5/8" by 2".

A nice Bow patty pan of tapered form with a ridged lip. Painted in a bright blue with flowers and leaves, the exterior with three twig motifs.

Excellent condition, with no problems. 3 7/8" diameter at the top, 2 3/16" at the foot. 1 5/16" in height.

A beautifully executed oil on canvas painting by George Harland, a noted British artist. The scene depicts a man returning in a rowboat at dusk. It combines elements of luminism and impressionism, and was done when both of those styles were in fashion. Harland was a highly thought of painter and was exhibited at the Royal Academy in London in 1907.

The painting is in excellent condition, with no impainting or restoration. The superb, elaborate yet elegant, frame, which has some very minor rest...

A beautiful and uncommon Derby basket-molded stand, or undertray, with a scalloped rim and a basket-weave border, The center is painted with fruit in shades of yellow, iron-red, puce, green, and brown. Surrounding the center, and on the border, are insects painted in a variety of colors. The underside of the stand has 5 patch marks.

Frequently, when referring to Derby, the literature, or catalogs, have references to "the moth painter," or the "principal fruit painter," or the like. In realit...

A beautiful polychrome Lowestoft creamer, of the Chelsea Ewer, or Dolphin Ewer, form, in a highly desirable small size. The body is molded and painted, in the style of the "Tulip Painter", with a variety of leaves and flowers in bright, vibrant colors.

Superb condition, with no chips, cracks, restoration, or paint loss. The length, from spout tip to the end of the handle, is 3 3/4", the height is 3", and the width is 2".

A very good antique English enamel twist wine glass, having a round funnel bowl with a fluted lower half. The stem contains a single series opaque twist with a pair of spiral gauzes. Conical foot with snapped pontil.

No condition issues, and the glass is 5 7/16" in height, with a bowl diameter of 2" and a foot diameter of 2 9/16".

Note: Because of the extreme closeups of the photos, and the non-ideal lighting conditions, there might appear to be spots, discolorations, or hazes in the glass, ...

A nicely proportioned waisted bucket bowl antique English Georgian air twist wine glass. The stem is a multiple-spiral air twist (MSAT) and the foot is conical and folded, with a snapped pontil

Condition is excellent with no chips, cracks, or restoration. Good color, striations, and tool marks. There is a very small piece of frit in the side of the bowl. The glass is 6 1/4" tall, with a bowl diameter of 2 3/8" and a foot diameter of 2 3/4".

Note: Because of the extreme closeups of the photos...

A beautiful opaque twist cordial glass, the bucket bowl fulsomely engraved with fruiting grapevines. The stem, of the single series opaque twist type (SSOT), making it much less common than the usual double series, has two spiral gauzes. Conical foot with snapped pontil.

This gem is in excellent condition, showing good color, tool marks, striations, and appropriate foot wear. It stands 6" tall, with a bowl diameter of 1 13/16" and a foot diameter of 2 1/2".

Note: Because of the extreme close...

An elegant Georgian antique wine glass with an engraved round funnel bowl with a fluted lower half. The engraving has vines, clusters of grapes, and other fruit. The stem is a double series opaque twist (DSOT), comprised of a pair of 7-ply spiral bands outside of a multi-ply corkscrew. Conical foot with a snapped pontil.

The glass is in excellent condition, with no chips, cracks, or repairs. It stands 6 1/4" tall, with a bowl diameter of 2 3/8" and a foot diameter of 2 0/16".

Note: Because o...

A nice double series opaque twist (DSOT) wine glass with an ovoid bowl (slightly ogee) which has a fluted lower half. The stem has a pair of 9-ply spiral bands outside of a lace twist. Conical foot, snapped pontil.

Fine condition with no problems. The height is 5 1/8", and a bowl diameter of 2" with a foot diameter of 2 7/8".

Note: Because of the extreme closeups of the photos, and the non-ideal lighting conditions, there might appear to be spots, discolorations, or hazes in the glass, whic...

A fine tinsel, or foil, painting. The relatively uncommon subject matter is a basket of fruit, nicely reverse painted on glass with tinsel backing. What unfortunately doesn't show well in the photo, because of the lighting, is the bunch of grapes directly under the basket.

The painting is in very good condition, with what is probably its original gilded frame and wood backing. The overall size is 16" by 14".

A lovely late 19th c tightly woven wool Tibetan prayer mat with Buddhist symbols, An excellent example from a private collection.

With clear colors and in wonderful condition, the rug measures 30" by 22".

A fine 17th century French tapestry table runner, with the motif weaving flowers and fruit throughout the piece. The overall condition is excellent, with no holes or tears. Carefully laid down on a linen backing. The length is 67" and the width is 13 3/4".

Acquired from a long time private collection, where it was used as a table display piece, but could certainly be used, in smaller segments, to make a number of exquisite pillows.

A beautifully fashioned English antique firing dram glass. Most glasses of this type (opaque twist firing glasses) have an ogee or ovoid bowl, as opposed to this funnel, or conical, type. The lower half of the bowl is fluted, while the stem contains a double series opaque twist comprised of a pair of spiral threads outside of a central gauze.

Condition is excellent, with no problems at all. Good color, striations, and tooling. The height is 4 1/4", with a bowl diameter of 2" and a foot diamete...

A beautiful and charming portrait on porcelain, painted, and signed on the reverse, by the well-known English artist, William Corden. The sitter is a young girl in a pretty white dress trimmed in blue, with matching shoes and necklace. She is seated in front of a red drapery, holding a basket of flowers, with several scattered by her side on the chaise-longue. signed on the reverse. Mounted in a period, and probably original, gilt over gesso frame.

The sight size of this gem is 6 1/4" by 5 1/8...

A rare and wonderful American doll or child's bench, with a shaped crest rail over 3 spindles and a plank seat, with 6 turned legs. The crest rail and the seat are decorated with polychrome free-hand flowers. Those areas, and the splayed arms, spindles, and central leg also have gilt line borders or decorative motifs.

Because of the delicate nature of this form, and the fact that not that many were made, it is highly uncommon to find surviving examples in any condition, let alone one as beauti...

An uncommon tinsel, or foil, painting on glass. Extremely vibrant, with deep colors, the painting shows a bluebird surrounded by a variety of fruit, with a compote of fruit behind it. It is rare to have a foil scene without a lot of open space between subjects.

The painting is in excellent condition, as is the later frame, which measures 16 1/4" by 13 1/4".

A spectacular and beautiful circa 1730 English silk embroidered apron front, exquisitely embroidered in polychrome silk and metallic threads with garlands and sprays of flowers urns. Scalloped edges are finished with embroidered metallic trim. A somewhat later but very similar example is shown in The Lotus Collection.

There are some scattered unimportant splits and very very minor and small spots of discoloration, all to be expected in such a delicate piece. The textile size is 41 3/8" by 17 ...

A nicely done miniature portrait, on natural organic material, of an attractive young woman. The sitter is wearing a white dress, a black necklace and earrings, and an upswept hairdo. The painting is housed in its blue velvet travel case, with a glass cover.

Condition is excellent, with no problems. The sight size is 2" by 1 1/2", and the closed case size is 3" by 2 1/2".

A beautifully executed miniature folk art watercolor on thin card portrait by J. H. Gillespie, housed in a cast foliate metal locket with an aperture on the reverse.

The condition is excellent, with no issues whatsoever. The reverse of the case is lacking the surround and glazing to the aperture.

Note: Gillespie was active on the East Coast of North America, Baltimore, New York, and Philadelphia around the 1829-1838 time period. Gillespie painted miniature portraits and silhouettes very c...

This extremely rare and very early Derby enameled wine taster is of circular shape with gadrooned sides, and has a pierced scroll handle in puce with the exterior handle ends with applied leaves in green. The exterior has puce foliate sprays, and the interior has a circular central panel edged with black and red lines containing an insect.

While the form itself is uncommon, they are usually done in blue and white, and polychrome examples are of the "utmost rarity." It is for this reason that ...

A stunning miniature portrait painting, watercolor on natural organic material, of a beautiful young girl with hazel eyes. The artist has painted the sitter with a background of clouds against a blue sky, often thought to denote that the piece was done as a mourning keepsake.

The condition of the painting is excellent, with no chips, cracks, bowing, or restoration. This little gem is housed in its original cast bronze brooch, with a mother-of-pearl backing. The sight size is 1 5/8" by 1...

A fine example of a triple knopped double series opaque twist (DSOT) antique wine glass. The bell bowl sits above a stem with three heavy spiral threads outside of a loose central gauze, and with shoulder, medial, and basal knops. Conical foot with rough, snapped pontil.

The vast majority of opaque twist glasses have straight stems, and the addition of even one knop adds substantially to the difficulty of making them, and the value. Each additional knop increases these factors. Also, unlike ...

A superb and elegant multiple spiral opaque twist wine glass, with four features contributing to the rarity of this glass. The first is the bowl, which is highly unusual and could best be described as ogee form with an extremely swollen upper portion. Second is the enamel portion itself, with a multiple spiral opaque twist (msot), a type encountered very infrequently. Third is the presence of a central knop, with any knop on an opaque twist being uncommon. Finally is the folded foot, occurring e...

A rare Chaffers Liverpool porcelain hexagonal beaker, handpainted in blue and white. The design, taken from the Chinese, shows alternating panels of floral groups, with a trellised and floral diaper along the upper rim.

The condition of this piece is excellent, with no cracks or restoration. There is a tiny firing bite at the rim, and the bottom shows kiln bubbling common to this factory. The height is 3" and the diameter is 2 3/8". Retains the label of Winifred Williams, a well known and hig...

A watercolor miniature portrait done by Richard Morrell Staigg. The sitter is a nice-looking blue-eyed young man in a black coat and cravat, with a light blue vest. As is usual with Staigg, the painting is superbly limned. It is housed in one half of a leather case.

The condition is excellent, with no problems whatsoever. Sight size is 3 1/2" by 3".

A miniature portrait painting by Abraham Parsell, done in his recognizable style with somewhat frizzy hair, and the sitter posed with his arm on a chair. Housed in its original cast foliate frame with a rear aperture containing a lock of hair.

The painting is 2 5/16" by 1 7/8", while the overall locket size is 2 1/2" by 2 1/8". Condition is excellent with no chips, cracks, bowing, paint loss or restoration.

Note: Abraham Parsell (1792 - after 1856), a popular American folk miniature painte...

An Abraham Parsell painting on natural organic material of a young man with his hand resting on a book. All the characteristics that make Parsell so sought after are present, from the folky treatment of the face, the frizzy hair, and the accessory point of interest, in this case the book. The sitter is Dye Brewer, of Edenton, Chowan county, NC, and this painting descended in the family to a direct relative, a Mrs. Morris of Houston, TX.

The miniature is in a beautiful, cast foliate, period lo...

A superb and early Dr. Wall Worcester sauce boat, of cos lettuce leaf form. This uncommon example is leaf molded, has a looped stem handle, and is decorated inside and out with scattered flower sprigs and insects, finished with raised fruit near the handle juncture. A similar example is shown in S. Spero and J. Sandon, "Worcester Porcelain 1751-1790, The Zorensky Collection", 1996, p. 120, no. 88. This form and decoration is based on Meissen factory pieces.

The sauce boat is 7 1/4" long and ha...

A fine and early Dr. Wall Worcester sauce boat, of cos lettuce leaf form. This uncommon and molded example has a looped stem handle, and is decorated inside and out with scattered flower sprigs and insects, finished with raised fruit near the handle juncture. A similar example is shown in S. Spero and J. Sandon, "Worcester Porcelain 1751-1790, The Zorensky Collection", 1996, p. 120, no. 88. This form and decoration is based on pieces done at the Meissen factory.

There is some minor wear at so...

A beautiful creamware tureen and lid, probably Leeds, but possibly a Staffordshire factory. Of oval, quatrefoil shape with molded shell borders, scrolled handles, and a pomegranate finial, painted with turquoise and black enamel trim. An identical, undecorated example is shown in "Creamware and Other English Pottery at Temple Newsam House Leeds", item 331.

The overall condition of this wonderful example is excellent, with no cracks or chips. There was a highly professional and invisible restor...

A beautifully executed American watercolor on paper portrait painting of a woman. The sitter has auburn curls and is dressed in an Empire style dress with wide lace collar, a paisley bordered shawl, white turban, and matching pearl and gem brooch and earrings. All the details are very finely limned.

The painting is in excellent condition, with no creases, tears, fading, or restoration. Sight size is 8" by 6 1/4", and the gilt molded frame size is 10" by 8 1/4".

A beautifully drawn miniature on natural organic material portrait painting, attributed to Thomas Hazlehurst. The piece has a somewhat ethereal feel to it, with the sitter, in a gauzy white gown, and wearing a double strand of pearls, gazing rather wistfully at the viewer. The portrait is dated 1805, and while not signed, stylistically it would most likely would have been done either by Hazlehurst or John Barry. However, Barry used a different color palette for shading, and his facial brush stro...